Squat in the center of the room, holding yourself very tightly, rocking, fully dressed, maintaining boundaries, making whatever sounds, all tight, all “self-contained”.
When you are ready…it doesn’t matter how long this takes…let yourself expand into the room, while still squatting and rocking. Relax.
Let yourself expand into me when you are ready…it doesn’t matter how long this takes…and take me into you when you are ready…it doesn’t matter how long this takes…all the while squatting and rocking.
When you are ready, move around the room, making deep sounds within a relaxed freedom. Slowly remove your clothes… when you are ready…it doesn’t matter how long this takes. Let yourself expand outside of the studio, taking everything into you.
When you are ready…it doesn’t matter how long this takes…dance with me, drawing everything in the room into the rapture state of our combined being, making deep sounds within a relaxed freedom.
When you are ready…it doesn’t matter how long this takes…sit on me and rock/rub our combined being into a rapture state, making deep sounds within a relaxed freedom. Remain in this state.
“A Dance Ritual” was performed at this performance, Exploring of Possibilities of Passion, January 31, 2003
Gestures was a ritual that Frank developed during his three year performance series at University of California, Berkeley in the 1980s and that he continued to use as a module in many of his performances for the next 30 years.
It is based upon the book MANWATCHING by Desmond Morris. During the ritual, those who choose to participate are paired, then strips of paper are drawn randomly from two bags and read aloud; one bag filled with the gestures (the complete list is below), one bag filled with adjectives.
The Gestures bagsAdjective and gesture strips.
Here is the introduction to the ritual that was read during a performance:
A Chanter sings:
“This is a ritual, a magical ritual, a ritual of Gestures which will open up a physical, magical force within those who choose to participate. At times the ritual will be very silly. At other times there will be a raw vulnerability, an intimacy that is not limited by social taboos, not framed in by romance or sex.”
“This magical ritual operates on the random principle. Magicians and mystics have used the factor of change throughout the ages to get past the rational, the logical, the linear, to get to inner knowledge or to universal wisdom. Shuffling the tarot cards and the throwing of the yarrow sticks for the i ching are but two examples of this random principle. In this ritual, the random principle, pulling gestures out of the box, will direct the ritual. Some gestures are silly. Some gestures are intense and intimate. The random principle makes each gesture equal. The random principle will remove the linear limiting taboo, sexual, romance context.”
“Linda will now pair people … to do the gestures.
The Chanter waits until Linda finishes pairing. Then the Chanter sings:
“Slowness is important in the quiet gentle sounds and laughter will help the magic. Watchers should refrain from talking during the ritual.”
“Each gesture has a special time length. You should keep doing one action until Linda sings the next gesture.”
“You will start releasing the physical force of eroplay in your bodies. This ritual will take eroplay out of social, moral, sexual, and romantic contexts, so that the focus will be on the pure magical fun and pleasure. It is important that each act be done gently, slowly, softly, completely.”
“Gestures”, U.C.B. Series, Spring 1985. Photo by Mary Sullivan.
Here is the complete list of gestures:
HUNCH YOUR SHOULDERS
PUT YOUR HANDS OUT PALMS UP
TILT YOUR HEAD TO ONE SIDE
LOWER THE CORNERS OF YOUR MOUTH
RAISE YOUR EYEBROWS
HUG YOUR LEGS
CROSS YOUR LEGS
CROSS YOUR LEGS
CROSS YOUR LEGS
CLASP YOUR HANDS ON YOUR THIGHS
OPEN YOUR EYES WIDE
OPEN YOUR LEGS WIDE
OPEN YOUR LEGS WIDE
OPEN YOUR LEGS WIDE
OPEN YOUR LEGS WIDE
SHAKE YOUR WHOLE BODY
SHAKE YOUR WHOLE BODY
OPEN YOUR LEGS WIDE
OPEN YOUR LEGS WIDE
WAVE
SMILE
LIFT YOUR EYEBROWS UP
BLOW A KISS
SHAKE HANDS. Focus on having all touching and exchanges be deep, gentle, firm, self-confident, and fun.
SPREAD YOUR ARMS AS IF YOU ARE GOING TO HUG
LOOK AT ONE ANOTHER, VISUALLY EXPLORE ONE ANOTHER, PASS TABOOS
RUB ONE ANOTHER’S BACKS
RUB ONE ANOTHER’S RIBS
PUT YOUR ARMS AROUND ONE ANOTHER’S SHOULDERS
MAKE BRIEF EYE CONTACT WITH THE OTHER, THEN JERK AWAY
HOLD HANDS
RUB EACH OTHER’S HANDS. Feel the gentle warming pleasure
EXPLORE EACH OTHER’S HANDS. Feel the gentle warming pleasure
HOLD HANDS. We have started releasing a physical force in our bodies, EROPLAY. We feel this EROPLAY now as we hold hands. This ritual will take EROPLAY out of social, moral, sexual, and romantic contexts, so that the focus will be on the pure magical fun and pleasure. It is important that each act be done gently, slowly, softly, completely.
RUB NOSES
RUB ONE ANOTHER’S BARE ARMS.
RUB FORHEADS
RUB EACH OTHER’S HEAD, HEAD TO HEAD. Turn on each other’s scalps. Make one another feel like a puppy having its belly rubbed.
RUB ONE ANOTHER’S SHOULDERS
RUB ONE ANOTHER’S BARE ARMS, ARMS ON ARMS.
RUB FORHEADS, FORHEAD TO FORHEAD
RUB EACH OTHER’S HEAD, HEAD TO HEAD. Turn on each other’s scalps. Make one another feel like a puppy having its belly rubbed.
RUB ONE ANOTHER’S SHOULDERS
RUB ONE ANOTHER’S ARMPITS GENTLY
RUB CHEEKS, CHEEK TO CHEEK
LOOK DEEPLY INTO ONE ANOTHER’S EYES
RUB ONE ANTHER’S FEET. Turn them on to an intense warm glow of relaxing pleasure.
STICK YOUR TONGUE BARELY OUT, CURL IT UP AND MOVE IT
HUG ONE ANOTHER…AND ROCK BACK AND FORTH GENTLY. Rock out of any fear or taboos…rock back to primative humaness of being one with another by physical contact
STICK YOUR TONGUE BARELY OUT, CURL IT UP AND MOVE IT
HUG ONE ANOTHER…AND ROCK BACK AND FORTH GENTLY. Rock out of any fear or taboos…rock back to primative humaness of being one with another by physical contact
STICK YOUR TONGUE BARELY OUT, CURL IT UP AND MOVE IT
HUG ONE ANOTHER…AND ROCK BACK AND FORTH GENTLY. Rock out of any fear or taboos…rock back to primative humaness of being one with another by physical contact
STICK YOUR TONGUE BARELY OUT, CURL IT UP AND MOVE IT
HUG ONE ANOTHER…AND ROCK BACK AND FORTH GENTLY. Rock out of any fear or taboos…rock back to primative humaness of being one with another by physical contact
CURL UP, HUG YOURSELF, AND GENTLY ROCK BACK AND FORTH. Rock into comforting trust
JERK YOUR HEAD VERY SLIGHTLY
SHOW EACH OTHER YOUR BARE BELLY AND RUB YOUR BELLY
RUB ONE ANOTHER’S BARE BELLY LIKE A PUPPY’S BELLY, SOOTHINGLY
RUB BELLIES, BELLLY TO BELLY
EXPLORE ONE ANOTHER’S BELLY
HUG ONE ANOTHER
SQUEEZE ONE ANOTHER’S HANDS
SHOW YOUR BARE CALVES TO THE OTHER
RUB ONE ANOTHER’S CALVES
EXPLORE ONE ANOTHER’S CALVES
RUB ONE ANOTHER’S CALVES, CALVES TO CALVES
RUB ONE ANOTHER, ALL OVER
RUB HEADS, HEAD TO HEAD
STROKE ONE ANOTHER’S HAIR
RAISE YOUR HANDS ABOVE YOUR HEAD AS HIGH AS THEY WILL GO
PUT YOUR HANDS ON YOUR GENITALS
RUB ONE ANOTHER’S BACK
EXPLORE ONE ANOTHER’S BACK
LOOK AT ONE ANOTHER
PUT YOUR HANDS ON ONE ANOTHER’S GENITALS
RUB ONE ANOTHER’S SHOULDERS AND NECK
RUB ONE ANOTHER’S CHEST
RUB ONE ANOTHER’S BREASTS
RUB ONE ANOTHER’S CHEST, CHEST TO CHEST
RUB ONE ANOTHER’S BREASTS, BREASTS TO BREASTS
EXPLORE ONE ANOTHER’S CHEST
EXPLORE ONE ANOTHER’S BREASTS
EXPLORE EACH OTHER BY USING EVERY PART OF YOUR BODY
RUB BODIES
INTERTWINE YOUR BODIES AND SLOWLY MOVE TOGETHER
ONE LAY UPON THE OTHER AND MOVE IN SLOW MOTION
EXPLORE ONE ANOTHER’S BODY BY USING EVERY PART OF YOUR BODY
RUB BODIES
INTERTWINE YOUR BODIES AND SLOWLY MOVE TOGETHER
ONE LAY UPON THE OTHER AND MOVE IN SLOW MOTION
EXPLORE ONE ANOTHER’S BODY BY USING EVERY PART OF YOUR BODY
RUB BODIES
INTERTWINE YOUR BODIES AND SLOWLY MOVE TOGETHER
ONE LAY UPON THE OTHER AND MOVE IN SLOW MOTION
EXPLORE ONE ANOTHER’S BODY BY USING EVERY PART OF YOUR BODY
RUB BODIES
INTERTWINE YOUR BODIES AND SLOWLY MOVE TOGETHER
ONE LAY UPON THE OTHER AND MOVE IN SLOW MOTION
RUB YOUR GENITALS FOR BODY COMFORT
EXPLORE YOUR GENITALS FOR BODY COMFORT
PUT THE OTHER’S HAND ON YOUR GENITALS AND GUIDE IT SENSUALLY
RUB EACH OTHER’S GENITALS, NOT FOR SEXUAL REASONS, BUT FOR BODY COMFORT
HUG ONE ANOTHER…AND ROCK TOGETHER
RUB ONE ANOTHER’S BACK
LOOK AT ONE ANOTHER
RUB ONE ANOTHER’S SHOULDERS AND NECK
RUB ONE ANOTHER’S CHEST
RUB ONE ANOTHER’S BREASTS
PUT YOUR HEAD ON THE OTHER PERSON’S SHOULDER. HUG AND ROCK TOGETHER
RUB FACES
RUB FACES, FACE ON FACE
EXPLORE FACES
STICK YOUR TONGUE WAY OUT
LICK ONE ANOTHER’S EAR
RUB ONE ANOTHER’S KNEES
RUB ONE ANOTHER’S THIGHS
RUB ONE ANOTHER’S KNEES, KNEES TO KNEES
RUB ONE ANOTHER’S THIGHS, THIGHS ON THIGHS
EXPLORE ONE ANOTHER’S KNEES
EXPLORE ONE ANOTHER’S THIGHS
HOLD ONE ANOTHER’S WAIST
EXPLORE ONE ANOTHER’S BUTTS
RUB ONE ANOTHER’S BUTTS
RUB ONE ANOTHER’S BUTTS, BUTT TO BUTT
RUB YOUR GENITALS FOR BODY COMFORT
PUT THE OTHER’S HAND ON YOUR GENITALS, GUIDE IT EXPLORINGLY. RUB EACH OTHER’S GENITALS FOR BODY COMFORT, CALMING AND RELAXING
RUB ANYWHERE ON ONE ANOTHER’S BODY
EXPLORE EACH OTHER BY USING EVERY PART OF YOUR BODY
RUB BODIES
INTERTWINE YOUR BODIES AND SLOWLY MOVE TOGETHER
ONE LAY UPON THE OTHER AND MOVE IN SLOW MOTION
RUB YOUR GENITALS FOR BODY COMFORT
RUB EACH OTHER’S GENITALS FOR BODY COMFORT
IN VERY SLOW MOTION, RUB YOUR BODIES TOGETHER AND TALK TOGETHER
Gestures at University of California, Berkeley, July 24, 1986
A live performance by Frank Moore 1982-1983 U.C. Berkeley Art Museum, Bancroft Way
From Frank: In “Living Sculpture” I sat for six hours in my position in the museum, waiting for people who were willing to take the time and the energy to talk to me on my word board, letter by letter. I do my art to be with people in a deeper, slower way than normal, polite, social interaction allows. My body is a great tool in this.
Photo above: Linda, Steven, Mikee, Frank’s archive boxes, photo by Keith Wilson
Keith Wilson came over this morning and filmed Mikee and I loading the first of Frank’s archives into the car! The three of us drove to Bancroft Library, Keith filming the trip as we talked. It is amazing and a little unreal, but we made the delivery! Steven Black, our contact from the beginning, and the Head of Acquisitions, came out with a cart while Keith filmed the whole thing. We signed the DEED OF GIFT on the spot. One of our favorite lines is: “The Materials will be physically stabilized and preserved by The Bancroft Library. The Materials will be placed and maintained in non-damaging containers and stored in facilities that provide appropriate temperature and humidity control and security …” Wow!
Frank and I (Linda Mac) used to hang out in The Bancroft Library in the 1980s. Steven said, Frank is back here now.
Linda & Mikee
The first delivery loaded into the back of the car.DVD packaging for the Bancroft Library
