Hidden treasures discovered while digging through Frank Moore's huge archives.

Tag: Journey To Lila (page 1 of 1)

Gestures Intro

From Frank Moore’s performance, Journey to Lila.


A Chanter sings:

“This is a ritual, a magical ritual, a ritual of Gestures which will open up a physical, magical force within those who choose to participate. At times the ritual will be very silly. At other times there will be a raw vulnerability, an intimacy that is not limited by social taboos, not framed in by romance or sex.”

“This magical ritual operates on the random principle. Magicians and mystics have used the factor of chance throughout the ages to get past the rational, the logical, the linear, to get to inner knowledge or to universal wisdom. Shuffling the tarot cards and the throwing of the yarrow sticks for the i ching are but two examples of this random principle. In this ritual, the random principle, pulling gestures out of the box, will direct the ritual. Some gestures are silly. Some gestures are intense and intimate. The random principle makes each gesture equal. The random principle will remove the linear limiting taboo, sexual, romance context.”

“Linda will now pair people … to do the gestures.”

The Chanter waits until Linda finishes pairing. Then the Chanter sings:

“Slowness is important and the quiet gentle sounds and laughter will help the magic. Watchers should refrain from talking during the ritual.”

“Each gesture has a special time length. You should keep doing one action until Linda sings the next gesture.”
“You will start releasing the physical force of eroplay in your bodies. This ritual will take eroplay out of social, moral, sexual, and romantic contexts, so that the focus will be on the pure magical fun and pleasure. It is important that each act be done gently, slowly, softly, completely.”

The Chanter quietly exits. Linda takes over.

“ART EVOKES CHILDHOOD…HIDDEN PLACES WHERE YOU CAN PLAY AND EXPLORE…IT IS THE KIDS’ UNDER-THE-COVERS WORLD, THE PLAYHOUSE, THE TREEHOUSE, THE CAVE, BEHIND THE BARN, PLAYING DOCTOR, CARS AT DRIVE-INS BEFORE GOING ALL THE WAY, HUCK FINN’S RAFT, TEPEES. PEOPLE ARE AFRAID OF THIS AREA OF LUSTY EXPLORING THAT THEY THINK THEY HAVE OUT GROWN…BUT THEY ARE SUCKED INTO IT.”

“WE ARE IN THE CAVE OF DREAM. WE ARE IN A BATTLE OF AN UNDERGROUND WAR AGAINST FRAGMENTATION. ART IS WAR AGAINST FRAGMENTATION. THE BATTLE IS ON ALL REALITIES. THE CONTROLLERS HAVE ALWAYS TRIED TO FRAGMENT US. FRAGMENT US FROM EACH OTHER. IMPRISON US IN ISLANDS OF SEX, COLOR, RELIGION, POLITICS, CLASSES, LABELS, ETC., ETC., ETC., ETC., ETC. THEY FRAGMENT OUR INNER WORLDS, THEY BLOW OUR INDIVIDUAL REALITIES APART, AND PLAY THE PIECES AGAINST ONE ANOTHER. THEY ARE US, OR A PART OF US.”

“THEY ARE THE CONTROLLERS, THE POLITICIANS, THE SEXISTS, THE WOMEN’S LIBBERS, THE PORNOGRAPHERS, THE CENSORS, THE MORALISTS, THE CHURCH, THE MEDIA, THE BUSINESSMEN, EDUCATORS, THE VICTIMS AND THE POWERFUL.”

“THEY ARE US. THEY HAVE DIVIDED US FROM OUR POWER, FROM OUR BEAUTY, FROM OUR LUST OF LIFE AND PLEASURE. THEY HAVE DIVIDED US FROM MOST OF REALITY…DYING FROM LIVING…SEX FROM LIVING, SEX FROM PLEASURE. WE ARE KEPT IN BOXES OF FEAR, OF MISTRUST. WE ARE KEPT WAITING…KEPT WAITING TO DO WHAT WE WANT…WAITING FOR ENOUGH MONEY, ENOUGH SCHOOLING, FOR EVERYTHING TO BE RIGHT. WE ARE KEPT WAITING AND PROTECTING AND HIDING AND SUFFERING.”

“TIME TO DO BATTLE WITH THE BOXES.”

“OUR TOOLS ARE MAGIC, OUR BODIES, AND DREAMS.”

“IN MAGIC WORDS HAVE POWER. TO CREATE A WORD FOR SOMETHING IS TO CREATE THE POSSIBILITY FOR IT TO EXIST IN OUR REALITY…FOR IT TO HAPPEN.”

“EROPLAY IS A MADE-UP WORD FOR INTENSE PHYSICAL PLAYING AND TOUCHING OF ONESELF AND OTHERS. EROPLAY IS ALSO THE FORCE OR ENERGY WHICH IS RELEASED AS THE RESULT OF SUCH PLAY.”

“IT WAS NO ACCIDENT THAT THERE WAS NO WORD FOR EROPLAY. IT IS IMPORTANT FOR THE PLOT OF FRAGMENTATION TO KEEP THE SPECIAL POWER IN THE ORGASMIC SEX ACT. SO IT WAS HARD BEFORE THE WORD EROPLAY TO TALK ABOUT IT CLEARLY, TO THINK ABOUT IT CLEARLY, AND TO EXPERIMENT AND PLAY WITH IT WITHOUT SEXUAL UNDERCURRENTS AND FEARS CREEPING IN. THIS WAS BECAUSE WE HAD TO USE WORDS LIKE LUSTY, SEXY AND EROTIC TO ATTEMPT TO TALK ABOUT IT. IN OUR LANGUAGE, ALL OF THESE WORDS HAVE SEXUAL CONNOTATIONS. IN MAGIC WORDS CREATE. SO IF YOU USE SEXUAL WORDS FOR A NON-SEXUAL PLAYING, THE SEXUAL WORDS WILL SET A FALSE SEXUAL CONFUSION. THIS IS WHY THE WORD EROPLAY ITSELF IS IMPORTANT.”

“EROPLAY IS NOT FOREPLAY, EVEN THOUGH FOREPLAY IS EROPLAY.”

“KIDS PLAY VERY PHYSICALLY BOTH WITH THEIR OWN BODIES AND OTHERS’ BODIES. THEY GET TURNED ON BY THIS PLAY, TURNED ON BOTH PHYSICALLY AND MENTALLY. THIS TURN-ON IS NOT SEXUAL IN KIDS. STUDIES HAVE SHOWN THAT BABIES WHO ARE HELD, TOUCHED, AND PLAYED WITH ARE MORE HEALTHY AND ALERT, WEIGH MORE, AND HAVE A LOWER RATE OF DEATH THAN BABIES WHO ARE DENIED THIS EROPLAY. STUDIES ALSO SHOW THAT OLD PEOPLE WHO LIVE ALONE, WHO DON’T GET PHYSICAL AND EMOTIONAL CONTACT, ARE LESS HEALTHY AND DIE SOONER THAN PEOPLE OF THE SAME AGE WHO LIVE WITH OTHERS AND GET THAT PHYSICAL CONTACT.”

“WHEN WE GROW UP INTO ADULTS, EROPLAY IS LINKED TO SEX, MAYBE TO ASSURE PROCREATION. BUT THERE MAY BE DIFFERENT RESULTS WHEN EROPLAY IS NOT CONNECTED TO THE SEXUAL ORGASM.”

“FOREPLAY IS EROPLAY, BUT EROPLAY IS NOT FOREPLAY. WE NEED A CERTAIN AMOUNT OF STRAIGHT EROPLAY (NOT CONNECTED TO OR LEADING TO SEX) TO BE AS HEALTHY AS POSSIBLE.”

“FOREPLAY LEADS TO ORGASM…EROPLAY LEADS TO BEING TURNED ON IN MANY DIFFERENT WAYS AND IN ALL PARTS OF THE BODY. IT CAN BE DIFFERENT EVERY TIME.”

“SKIN TOUCHING SKIN SEEMS TO BE WHAT RELEASES THE FULL IMPACT OF EROPLAY.”

“EROPLAY CAN BE INTENSE. IT IS LIKE WHEN YOU RUB A PUPPY ON ITS BELLY AND THE PUPPY GOES INTO A STATE OF RAPTURE, BOTH TOTALLY TURNED ON AND RELAXED. TO USE SOMETHING THAT IS NOT NORMALLY CONFUSED WITH SEX, EROPLAY IS THE BLISSED OUT, WARM, RELAXED, TURNED ON, TOTALLY SATISFYING FEELING OF A GOOD HEAD RUB.”

“THE SAME FEELING COMES FROM PLAYING WITH EARS. EROPLAY IS THAT INTENSE FEELING THROUGHOUT THE ENTIRE BODY.”

“SEX IS CONNECTED TO MATING; WHEREAS THE COMBINATION OF BOTH PHYSICAL AND PSYCHIC FORCES RELEASED DURING AND AFTER EROPLAY ARE CONNECTED MORE TO COMMUNICATION AND ATTRACTING PEOPLE TO YOU.”

“WHAT STOPS MOST PEOPLE FROM PHYSICALLY EROPLAYING WITHOUT CONNECTING IT TO SEX, WITHOUT SEXUAL UNDERCURRENTS OR EXPECTATIONS, IS THE INABILITY TO SEE WHERE EROPLAY ENDS AND SEX BEGINS. FOREPLAY IS EROPLAY, BUT EROPLAY IS NOT FOREPLAY. THE DIFFERENCE BETWEEN FOREPLAY AND PURE EROPLAY IS ONE OF INTENT…PHYSICALLY THERE IS NO DIFFERENCE. BUT THERE IS A DIFFERENCE PHYSICALLY BETWEEN EROPLAY AND SEX. EROPLAY IS SATISFYING IN ITSELF, IN RELAXING INTENSITY. THERE IS NO BUILD UP OF PENT-UP ENERGY IN ONE CLIMACTIC ACT. IN SEX, HOWEVER, THERE IS A POINT WHERE FOREPLAY (EROPLAY) CEASES TO SATISFY AND ENERGY GETS PENT UP AND BUILT UP TO BE RELEASED IN THE SEX ACT. THIS BUILD UP IS A CLEAR AND BROAD DIVIDING LINE BETWEEN THE TURN ON OF EROPLAY AND SEX.”

“EROPLAY STARTS WHEN THE POSSIBILITY OF THE PHYSICAL EROPLAY ARISES…THE POSSIBILITY OF THE BREAKING OF THE NORMAL RULES, SOCIAL CONVENTIONS AND MORALITY.”

“THE TALKING AND THINKING ABOUT EROPLAY WILL EXCITE, WILL TURN YOU ON, EVEN PHYSICALLY. THIS SEEMS TO BE A NATURAL PART OF EROPLAY, AN INNATE PART.”

“BREAKING TABOOS HAS ALWAYS BEEN A PART OF ART…AT LEAST THE AREA OF ART THAT SEEKS TO CHANGE CONSCIOUSNESS, CHANGE MORALITY, CHANGE REALITY.”

“THE WAR IN THE CAVE OF DREAM IS NOT A WAR OF HATE, PAIN, KILLING, DYING. IT IS A WAR OF LAUGHING, LOVING, TOUCHING, DREAMING, OF PLEASURE, OF BREAKING TABOOS. IT IS NOT A MASS MEDIA WAR. IT IS AN INNER WAR, A PERSONAL WAR. IT IS A WAR OF FUN.”

“EROPLAY IS FUN. EROPLAY IS FUN. EROPLAY IS FUN.”

“EROPLAY IS INNOCENT AND CHILDLIKE.”

“EROPLAY’S FOCUS IS ON PHYSICAL ENJOYMENT AND PLEASURE FOR ITS OWN SAKE. THIS IS ONE REASON WHY EROPLAY IS TABOO IN OUR SOCIETY WHERE RELIGION TEACHES PHYSICAL PLEASURE FOR SELF IS BAD.”

“EROPLAY CONNECTS YOU MORE WITH YOUR OWN BODY AND WITH OTHER PEOPLE. IT DECREASES ISOLATION AND ALIENATION. IT INCREASES SELF-TRUST AND TRUSTING OF OTHERS. IT MAKES YOU HARDER TO BE CONTROLLED. THIS IS ANOTHER REASON WHY EROPLAY IS TABOO.”

“BECAUSE THE AFTER-GLOW OF EROPLAY ATTRACTS PEOPLE TO YOU, YOU GET MORE OPPORTUNITIES IN ALL ASPECTS OF YOUR LIFE. AND BECAUSE EROPLAY RELAXES YOU AND GIVES YOU MORE ENERGY, YOU ARE IN A BETTER POSITION TO USE OPPORTUNITIES.”

“BECAUSE EROPLAY IS NOT FOCUSED ON GOALS OTHER THAN PHYSICAL ENJOYMENT IN MANY WAYS, AND BECAUSE IT DOES NOT LEAD TO A MATING LIFE, EROPLAY WOULD BE MUCH HARDER TO USE TO SELL PRODUCTS THAN SEX. THIS IS A REASON WHY EROPLAY IS TABOO.”


Read more about Gestures here:
http://eroplay.org/gestures/

and here:
http://eroplay.org/gestures-part-2/


From the book Frankly Speaking: A Collection of Essays, Writings and Rants by Frank Moore: http://www.eroplay.com/franklyspeaking/

Fragmentation

Written by Frank Moore, from “Journey to Lila”, 1988:

“WE ARE IN THE CAVE OF DREAM. WE ARE IN A BATTLE OF AN UNDERGROUND WAR AGAINST FRAGMENTATION. ART IS WAR AGAINST FRAGMENTATION. THE BATTLE IS ON ALL REALITIES. THE CONTROLLERS HAVE ALWAYS TRIED TO FRAGMENT US. FRAGMENT US FROM EACH OTHER. IMPRISON US IN ISLANDS OF SEX, COLOR, RELIGION, POLITICS, CLASSES, LABELS, ETC., ETC., ETC., ETC., ETC. THEY FRAGMENT OUR INNER WORLDS, THEY BLOW OUR INDIVIDUAL REALITIES APART, AND PLAY THE PIECES AGAINST ONE ANOTHER. THEY ARE US, OR A PART OF US.”

“THEY ARE THE CONTROLLERS, THE POLITICIANS, THE SEXISTS, THE WOMEN’S LIBBERS, THE PORNOGRAPHERS, THE CENSORS, THE MORALISTS, THE CHURCH, THE MEDIA, THE BUSINESSMEN, EDUCATORS, THE VICTIMS AND THE POWERFUL.”

“THEY ARE US. THEY HAVE DIVIDED US FROM OUR POWER, FROM OUR BEAUTY, FROM OUR LUST OF LIFE AND PLEASURE. THEY HAVE DIVIDED US FROM MOST OF REALITY…DYING FROM LIVING…SEX FROM LIVING, SEX FROM PLEASURE. WE ARE KEPT IN BOXES OF FEAR, OF MISTRUST. WE ARE KEPT WAITING…KEPT WAITING TO DO WHAT WE WANT…WAITING FOR ENOUGH MONEY, ENOUGH SCHOOLING, FOR EVERYTHING TO BE RIGHT. WE ARE KEPT WAITING AND PROTECTING AND HIDING AND SUFFERING.”

“TIME TO DO BATTLE WITH THE BOXES.

OUR TOOLS ARE MAGIC, OUR BODIES, AND DREAMS.”

Excerpt from “Gestures Intro”

from Frank Moore’s performance, Journey to Lila:


“WE ARE IN THE CAVE OF DREAM. WE ARE IN A BATTLE OF AN UNDERGROUND WAR AGAINST FRAGMENTATION. ART IS WAR AGAINST FRAGMENTATION. THE BATTLE IS ON ALL REALITIES. THE CONTROLLERS HAVE ALWAYS TRIED TO FRAGMENT US. FRAGMENT US FROM EACH OTHER. IMPRISON US IN ISLANDS OF SEX, COLOR, RELIGION, POLITICS, CLASSES, LABELS, ETC., ETC., ETC., ETC., ETC. THEY FRAGMENT OUR INNER WORLDS, THEY BLOW OUR INDIVIDUAL REALITIES APART, AND PLAY THE PIECES AGAINST ONE ANOTHER. THEY ARE US, OR A PART OF US.”

“THEY ARE THE CONTROLLERS, THE POLITICIANS, THE SEXISTS, THE WOMEN’S LIBBERS, THE PORNOGRAPHERS, THE CENSORS, THE MORALISTS, THE CHURCH, THE MEDIA, THE BUSINESSMEN, EDUCATORS, THE VICTIMS AND THE POWERFUL.”

“THEY ARE US. THEY HAVE DIVIDED US FROM OUR POWER, FROM OUR BEAUTY, FROM OUR LUST OF LIFE AND PLEASURE. THEY HAVE DIVIDED US FROM MOST OF REALITY…DYING FROM LIVING…SEX FROM LIVING, SEX FROM PLEASURE. WE ARE KEPT IN BOXES OF FEAR, OF MISTRUST. WE ARE KEPT WAITING…KEPT WAITING TO DO WHAT WE WANT…WAITING FOR ENOUGH MONEY, ENOUGH SCHOOLING, FOR EVERYTHING TO BE RIGHT. WE ARE KEPT WAITING AND PROTECTING AND HIDING AND SUFFERING.”

“TIME TO DO BATTLE WITH THE BOXES.”

“OUR TOOLS ARE MAGIC, OUR BODIES, AND DREAMS.”


Read the complete text here:

Gestures Intro


The complete text of the “Gestures Intro” is also available in the book Frankly Speaking: A Collection of Essays, Writings and Rants by Frank Moore: http://www.eroplay.com/franklyspeaking/

NYC 1989 Tour!! – Part 4

Frank performed Journey To Lila on two weekends at Franklin Furnace in New York City in June 1989. Here is an excerpt from a letter Frank received from Fred Hatt in 1997, almost 8 years after the performance, who had attended one of those performances. He had just discovered Frank on the web and emailed Frank to introduce himself and tell him about the impact his experience at this performance had on his own work:

I feel like all of these things were potential in my interests and my work at the time in 1989 when I came to experience a journey to the planet Lila with you and your friends.  But I had never seen real experiential magic presented as art before – not distanced by anthropology, not burdened by cosmological mysticism or pretensions of grandeur.  You showed how simple magical consciousness really is, and how effective in opening people up, expanding their freedom and then going beyond that to make them feel their connectedness.  The steps of the journey peeled away layer after layer of psychological armor with scalpel precision.  As an artist, I had always felt isolated, a loner, awkward dealing with other people, although I craved collaboration.  Some things I learned from your performance changed me immediately, but others grew over a period of long years, nurtured through my own trial and error and through all I learned from so many others along the way, and are growing still.  I am no master of magic, but I am free and live my life in joy, and though I enjoy solitude, I no longer feel so isolated or awkward and I love to work with others.

… I am glad that you are still spreading subversive joy and I am glad to be in communication with you since you are one of my heroes and teachers!

Fred

Photo by Annie Sprinkle
Photo by Annie Sprinkle
Photo by Annie Sprinkle
Photo by Annie Sprinkle

Photos by Annie Sprinkle

Franklin Furnace Press Release announcing the performance
Ad in the Village Voice
An ad for the performance in the Village Voice
Poster by LaBash